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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Truth triumphing over time, a young, half-nude woman reaching upwards and an old, winged man holding a snake below
Domenico Cunego
1777
Moses
Domenico Cunego
1773
Lot flanked by his two daughters, one of them holding a decorated jug, after Reni
Domenico Cunego
1771
Virgin and Child
Domenico Cunego
1772
Providence, plate 27 from "Schola Italica Picturae"
Domenico Cunego
1772
Apollo and Silenus, plate 30 from "Schola Italica Picturae"
Domenico Cunego
1770
Saint Joseph of Cupertino, flying overhead, with a woman fainting at left
Domenico Cunego
1745–1803
The works in architecture of the late Robert and James Adam, Esqs., complete in three volumes, containing plans, elevations, sections, and detail of the principal buildings, public and private,
James Adam
1822
The Creation of Adam, Sistine Chapel, plate 2 from "Schola Italica Picturae"
Domenico Cunego
1772
The Agony in the Garden, Christ at top with arms outstretched towards an angel holding a cup, the disciples asleep below, after a painting (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel, San Giovanni de' Fiorentini, Rome
Camillo Tinti
1776
Ganymede riding on the back of Jupiter as an eagle
Domenico Cunego
1770
The Road to Calvary, Christ at center carrying the cross, surrounded by soldiers, the Holy Women swooning in the foreground, after the altarpiece (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel in San Giovanni de' Fiorentini, Rome
Giuseppe Sforza Perini
1776
An outline of the fresco paintings by Michelangelo on the ceiling of the Sistine Chapel, Rome
Domenico Cunego
ca. 1790–1800
The head of Mary Magdalene looking down to the right, in an oval frame, after Reni
Domenico Cunego
ca. 1745–1803
The Virgin looking upwards with hands crossed over her chest, after Reni
Domenico Cunego
1776
The Death of St. Cecelia, plate 32 from "Schola Italica Picturae"
Domenico Cunego
1772
Trofeo o sia Magnifica Colonna Coclide di marmo composta di grossi macigni ove si veggono scolpite le due guerre daciche fatte, da Trajano inalzata nel mezzo del Gran Foro eretto al medesimo imperadore per ordine del senato e popolo romano doppo i suoi trionfi (The Trophy or Magnificent Spiral Column of marble composed of large drums on which are carved the two Dacian Wars of Trajan, raised in the middle of the large Forum, erected in honor of the same Emperor on the order of the Senate and People of Rome after his Triumph) (1775-6); Columna Antonina (1776-9)
Giovanni Battista Piranesi
1774–79
St. Margaret
Aloysio Cunego
late 18th century
Caput Incognitum
Domenico Cunego
1776
Portrait of Clarissa Strozzi, accompanied by a dog, plate 21 from "Schola Italica Picturae"
Domenico Cunego
1770
The Return of the Prodigal Son, plate 37 from "Schola Italica Picturae"
Domenico Cunego
1770
Sibylla Persica
Aloysio Cunego
1780
Juno
Domenico Cunego
1767
Priam Redeems the Dead Body of Hector
Domenico Cunego
1775
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
Innocentia
Domenico Cunego
1766
Galatea, plate 31 from "Schola Italica Picturae"
Domenico Cunego
1772
The Works in Architecture of Robert and James Adams, Esquires. Volume I Containing the Five Following Numbers, viz. . .
Robert Adam
1778
Norandino and Lucina in a landscape with the ogre Orco feeling the fleece with which she has covered her back, plate 39 from "Schola Italica Picturae"
Domenico Cunego
1772
An illustration of Psalms 46.6, with Christ at center ascending surrounded by angels holding instruments of the Passion, after a painting (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel, San Giovanni de' Fiorentini, Rome
Stefano Coppa
1776
Sibylla Libyca
Domenico Cunego
late 18th century
An old bearded man resting his head on his right hand and looking upwards to the left, after Reni
Domenico Cunego
1775
An outline of Michelangelo's figures in the spandrels from the ceiling of the Sistine Chapel, Rome
Domenico Cunego
ca. 1790–1800
Ganymede abducted by Jupiter, plate 22 from "Schola Italica Picturae"
Domenico Cunego
1770
Hebe Giving Drink to the Eagle of Jupiter
Domenico Cunego
after 1764
Hebe Giving Drink to the Eagle of Jupiter
Domenico Cunego
after 1764
St. Mary Magdalen, plate 34 from "Schola Italica Picturae"
Domenico Cunego
ca. 1770
Portrait of a Lady, known as La Fornarina, plate 9 from "Schola Italica Picturae"
Domenico Cunego
1772
Frederica Charlotte Ulrica, Duchess of York
Domenico Cunego
1787
The Origin of Painting
Domenico Cunego
1777